El cabildo catedral de Valladolid de Michoacán

Nunca ha sido tan necesario extender los horizontes del quehacer historiografico a la entidad de dimensiones planetarias a la que estuvieron adscritos los virreinatos ibericos de America. Es decir, a la "Monarquia espanola" o "catolica," terminos con que se designo en su momento al imperio espanol. La tarea es tan necesaria como inmensa y ambiciosa. Este ensayo quiere contribuir a ese fin al proponer una seleccion bibliografica de la cual es esta obra el primer volumen. No se trata de una mera "bibliografia," sino de un instrumento de investigacion que intenta sensibilizar al investigador a...

Manuscript circular ofrelating to military assistance from "our generous neighbor to the North" [i.e. the United States]] during the Mexican war of independence and informing the insurgents of the arrival numerous ships and the names of their captains including the ship El Tigre loaded with 3000 barrels of gunpowder. Rayó́n adds that the allied ships have already captured three European ships from Veracruz to Tuxpan.

"Revisionist view of the traditional interpretation of 1923 revolt as a reaction against Obregón's imposition of Calles. Authors study four different regional revolts between 1923-24, all with different leaders and provoked by different causes: Rómulo Figueroa in Guerrero, Enrique Estrada in Jalisco, Guadalupe Sánchez in Veracruz, and Fortunato Maycotte in Oaxaca. Rebels failed because of a lack of central control or unifying program. Adolfo de la Huerta played only a 'decorative role' in the armed movement against Obregón"--Handbook of Latin American Studies, v. 58.

Orígenes del estancamiento del siglo XIX, 1780-1820. La depresión económica inmediata y sus secuelas, 1820-1840. Recuperación lenta y gradual (1850 a 1870). El Porfiriato. Integración del mercado y expansión económica (1880-1913).

Researchers Castro Ricalde and McKee present a documental work covering sources from the United States, México, Cuba, Argentina, Venezuela, Colombia, Spain and Serbia to account for the complex development of the Mexican cinematographic industry in the first half of the 20th century and its efforts to establish a national identity myth designed for local consumer commercialization and powerful enough to stand against Hollywood dominance. The study spans 2 decades from the first sound movie Santa (1932) to 1955, when the "Mexican cinema of the "Golden Age" had a preponderant role in the...