El cabildo catedral de Valladolid de Michoacán

Nunca ha sido tan necesario extender los horizontes del quehacer historiografico a la entidad de dimensiones planetarias a la que estuvieron adscritos los virreinatos ibericos de America. Es decir, a la "Monarquia espanola" o "catolica," terminos con que se designo en su momento al imperio espanol. La tarea es tan necesaria como inmensa y ambiciosa. Este ensayo quiere contribuir a ese fin al proponer una seleccion bibliografica de la cual es esta obra el primer volumen. No se trata de una mera "bibliografia," sino de un instrumento de investigacion que intenta sensibilizar al investigador a...

Exhibition of the mural and the art surrounding Diego Rivera's famous mural " Sueño de una tarde dominical en la Alameda Central". Completed in 1947, the mural depicts scenes and people from the Spanish Conquest to the middle of the 20th century. The exhibition is based on the documentary collection of the great collector Ricardo Pérez Escamilla. The exhibition unites in order the documents and original publications that have iconographic roots in the mural. Other works of the epoch have been included to show different imagery or graphics of the images present in the mural as a complement...

Mexico is a country with a great history, from the ancient civilizations to nowadays. This book gather the most important events in Mexico's history. Ideal for students, investigations and persons interested in general culture.

En Mexicana, Salvador Albinana y Horacio Fernandez reconstruyen minuciosamente, y tras haber llevado a cabo un formidable trabajo de camo. la historia de una fascinacion : la que durante los anos veinte y treinta ejercio Mexico sobre los fotografos de vanguardia. ... (Manuel Alvarez Bravo, Agustin Jimenez, Emilio Amero)

This anthological edition is a well-deserved tribute on the life work of Bostelmann (b. Mexico), one of Mexico's most noted late 20th century photographers. This photographic retrospective presents his striking b/w photographs of desolated and rainy places, nude figures, the town of Cuetzalan, political meetings, children and his ironic color series (CrÑnica de familia, la vida en breve, gallo). Bostelmann was against what he called the "current use and abuse of digital elements" to enhance photography.