Los predicadores novohispanos del siglo XVI

En la obra “El retrato en México: 1781-1867. Héroes, emperadores y ciudadanos para una nueva nación"” la autora analiza la producción plástica del género del retrato durante ese periodo. Se estudian en primer lugar los retratos producidos por los profesores y alumnos de la Real Academia de Bellas Artes de San Carlos de la ciudad de México desde su fundación, en 1784 hasta el periodo de 1867. Se hace especial hincapié en los retratos realizados por los profesores españoles que allí impartieron sus enseñanzas como Rafael Jimeno y Planes y Pelegrín Clavé. En segundo lugar se...

Respected political scientists analyze role of electoral left in parliamentary policy and in construction of quality of government. Also broaches topic of organization of leftist groupings in party form. Written during 2018 presidential campaign when victory of leftist candidate Andres Manuel Lopez Obrador was near certainty, proposes thesis that left became one of most powerful electoral forces in Mexico by dint of long years of struggle against repression and by tenacity to insert itself in new democratic order.

"Thorough study of the cathedral cabildo--the ruling body of the Episcopal church--in the important diocesis of Michoacán. Covers the entire colonial period. The cabildo is analyzed as a collegiate body aware of its historical identity, its responsibilities and duties, and its relationship with the bishop. Traces important nuances in the evolution of this body. Sustained by strong archival research, this is a commendable history of a key part of the secular church"--Handbook of Latin American Studies, v. 58.

This anthological edition is a well-deserved tribute on the life work of Bostelmann (b. Mexico), one of Mexico's most noted late 20th century photographers. This photographic retrospective presents his striking b/w photographs of desolated and rainy places, nude figures, the town of Cuetzalan, political meetings, children and his ironic color series (CrÑnica de familia, la vida en breve, gallo). Bostelmann was against what he called the "current use and abuse of digital elements" to enhance photography.