El nacionalismo de Lucas Alamán

In "La muerte de Artemio Cruz" we are present in the last moments of the lif e of a powerful man, one who was a revolutionary soldier, a lover without passion, and a father without a family. Carlos Fuentes reveals in this novel the thoughts of an elderly man who can no longer fend for himself; the man is confronted with an imminent and torturous death, but his will does not allow him to be defeated.

Venegas is recommending D. Diego Fernandez Peredo as Captain of the 3rd Company of the 1st Battalion which is newly formed and composed of patriots loyal to Ferdinand VII.

Researchers Castro Ricalde and McKee present a documental work covering sources from the United States, México, Cuba, Argentina, Venezuela, Colombia, Spain and Serbia to account for the complex development of the Mexican cinematographic industry in the first half of the 20th century and its efforts to establish a national identity myth designed for local consumer commercialization and powerful enough to stand against Hollywood dominance. The study spans 2 decades from the first sound movie Santa (1932) to 1955, when the "Mexican cinema of the "Golden Age" had a preponderant role in the...

Catalog of the Universidad Iberoamericana's holdings (held at the Biblioteca Francisco Xavier Clavigero) of the letters received by Carmen Romero Rubio in her capacity as wife of Porfirio Díaz, president of Mexico. Most material is from 1888 to 1901.