Quejas de Amor de Un Montuno (Classic Reprint)

La era del imperio es la tercera parte de ese gran fresco de la historia contemporánea del mundo que Eric Hobsbawn inició con La era de la revolución y La era del capital y que se conpleta con su Historia del siglo XX. Hobsbawn nos habla aquí del apogeo y de la catástrofe final de una época: la de la burguesía liberal, que creyó haber construido un mundo de progreso y paz, de grandes imperios civilizadores, de crecimiento económico continuado y de estabilidad social, y vio cómo sus esperanzas se hundían en 1914 con el inicio de la guerra más destructiva que jamás hubiese conocido ...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

Este libro intenta dar a conocer una primera manifestación (poco conocida aún) del carácter «combativo» del historiador Lucien Febvre. Los años 1907-1910, de intensas agitaciones sociales en Francia, vieron, efectivamente, la participación activa y militante en el periódico «Le Socialiste Comtois», de Besançon, del que más tarde, en 1929, juntamente con su amigo Marc Bloch, fundaría los «Annales d’Histoire Economique et Sociale»

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...