Thomas Merton

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En estos poemas, trece embajadores animales toman la palabra y lanzan un grito de auxilio a su mayor depredador, el ser humano./ In these poems, thirteen animal ambassadors take the floor and call on their main predator, the human being, for help./ Dans ces poèmes, treize ambassadeurs des animaux prennent la parole et appellent au secours leur plus grand prédateur, l'être humain./

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

Artista de la exageración, maestro de la nada, monómano incorregible, moralista, aguafiestas, vulnerable, depresivo, sensible, alegre, satírico, contradictorio..., la lista de epítetos que, en algún momento, se ha aplicado a Thomas Bernhard llenaría varias páginas. Y todos ellos le convenían. Sin embargo, la figura de Thomas Bernhard sigue agigantándose después de su muerte y es ya indiscutible que se trata de uno de los grandes escritores del siglo XX. Pero, curiosamente, su vida presenta todavía abundantes zonas de sombra, sobre todo desde que la crítica reparó en que sus así...