Un siglo de guerras

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

Con ocasión del cincuentenario de la muerte de Hugo Obermaier (Ratisbona, 1877 - Friburgo, 1946) la Universidad de Cantabria, La Fundación Marcelino Botín y el Institute for Prehistoric Investigations han decidido editar un volumen homenaje que evidencie la trayectoria y la vigencia de su aportación científica. Aportación que, en su mayor parte, se sintetiza en su obra El hombre fósil. Original- mente publicada en España por la Comisión de investigaciones Paleontológicas y Prehistóricas, donde conoció sendas ediciones en 1916 y 1925, y posteriormente traducida a varios idiomas,...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

Se gana tiempo, es decir se trabaja con claridad, amplitud y diligencia cuando se hace la historia de un edificio. Ya lo demostró el autor reconstruyendo las historias complejas del actual palacio de gobierno y de lo que fueron las alhóndigas de San Luis Potosí. Pero esta vez no se trata de piedra y poder, de adobe y maíz, sino de piedra y madero, aquí el venerable Lignum Crucis.