Utopicas Realidades

LA CELESTINA. QUINTO ACTO es la sexta entrega de la adaptación al castellano moderno de LA CELESTINA, realizada por el escritor barcelonés Antonio Gálvez Alcaide. En LA CELESTINA. QUINTO ACTO se reconoce claramente la intervención del diablo en el asunto que la vieja alcahueta trae entre manos. También se aprecia lo avarienta y codiciosa que es la alcahueta, y el primer choque que, debido a ello, tiene con uno de sus socios. Es destacable lo vendido que está Calisto frente a la vieja, con una muestra más de su tortuosa impaciencia.

No me molesta que me llamen perro, me molesta el perro modo en que lo hacen. El dolor puede ser verdugo o maestro. Un grupo de perros viven enclaustrados en una casa de criminales. Allí aprenderán que el dolor es algo propio, que no emana del exterior sino en cada uno de ellos. La vida, y una sociedad distorsionada, poco o nada les enseña a soportar las desgracias.

The Vetrov name comes with expectation. My role in this world is simple: do as Father asks and live my life how he planned it. My future is already written: run the empire. Old Values. Old Rule. Old Money. Until her. Everything I do lacks purpose. Everything I do is empty. Women. Money. Power. It meant nothing. Until her. When the Volkov rose showed up at my home a disgraced package, hand-delivered by a Vasiliev prince, I began paving my own path. I vowed to make her bloom once more. She consumed me. Her. Her. Her. But you can’t love a rose and expect not to be damaged by her thorns. She...

Mrs. Helseth. Hadn't I better begin and lay the table for supper, miss? Rebecca. Yes, do. Mr. Rosmer ought to be in directly. Mrs. Helseth. Isn't there a draught where you are sitting, miss? Rebecca. There is a little. Will you shut up, please? (MRS. HELSETH goes to the hall door and shuts it. Then she goes to the window, to shut it, and looks out.) Mrs. Helseth. Isn't that Mr. Rosmer coming there? Rebecca. Where? (Gets up.) Yes, it is he. (Stands behind the window-curtain.) Stand on one side. Don't let him catch sight of us. Mrs. Helseth (stepping back). Look, miss-he is beginning to use the ...