Letras hispánicas en la gran pantalla

The contributions gathered in this volume take a fresh look at the medieval history of women, revealing the many faces of female reality during an extremely dynamic period—while individuality was on the rise, new linguistic codes (vernacular languages) and innovative literary genres were emerging, and the political situation was undergoing deep changes. The book is structured in three interrelated sections: The first is dedicated to "Historical femininity" and documents the cultural and literary activities carried out by women from the nobility. The second is about "Authorial femininity"...

La autora nos ha donado una impresionante investigación sobre Gertrudis Gómez de Avellaneda. La biografía abarca un detallado análisis de su obra y de su entorno social e histórico. El texto se compone de cuatro partes: Ansias de infinito, Dos amores: Cuba y España, Tula a la vanguardia de su tiempo y Dimensión religiosa de la Avellaneda. Pieza importante para los estudiosos y amantes de la literatura cubana; devela sin alardes de erudición la personalidad de una artista que se adelantó a su época y que representó, con sus limitaciones, a una de las primeras feministas...

This second edition updates a course which has proven to be a perfect fit for classes the world over. Engaging content and a strong focus on grammar and vocabulary combine to make this course a hit with both teachers and students. Popular course features have been refreshed with new content, including the imaginative reading and listening topics, 'Culture in Mind', and 'Everyday English' sections. New for the second edition is a DVD-ROM with the Level 5 Student's Book containing games, extra exercises and videos featuring the photostories' characters as well as a 'Videoke' record-yourself...

Mito: relato explicativo, simbólico y dinámico, de uno o varios acontecimientos extraordinarios personales con referente trascendente, que carece en principio de testimonio histórico, se compone de una serie de elementos invariantes reducibles a temas y sometidos a crisis, que presenta un carácter conflictivo, emotivo, funcional, ritual y remite siempre a una cosmogonia o a una escatologia absolutas, particulares o universales. Esta definición, general, fria e indeterminada, requiere un tiempo, un espacio, y sobre todo una conciencia que la viva. El mito no es un constructo mental ajeno...